Marzluff and Angell entertain with these stories, but find less success with their arguments that no other animal has been as influential to human culture, and the two species have been for centuries involved in a "cultural coevolution." In essence, shifts in our culture cause crows to adapt, and in response, our culture responds, ad infinitum. Professor Marzluff and artist and writer Angell, in their decades of observing crows and ravens (Angell's illustrations complement the text), have compiled an eye-popping catalogue of crow feats: Japanese carrion crows use moving cars as nutcrackers Seattle crows, after being trapped by the authors, have learned to avoid them, even in the midst of thousands of UW-students and, given the choice between french fries in a plain bag or a McDonald's bag, crows choose the branded bag every time.
Historically feared, hunted and otherwise maligned, corvids (crows, ravens and the like) have finally found in the coauthors two champions of their cause.
In the Company of Crows and Ravens illuminates the entwined histories of crows and people and concludes with an intriguing discussion of the crow-human relationship and how our attitudes toward crows may affect our cultural trajectory. The authors contend that those interactions reflect a process of “cultural coevolution.” They offer a challenging new view of the human-crow dynamic-a view that may change our thinking not only about crows but also about ourselves.įeaturing more than 1 original drawings, the book takes a close look at the influences people have had on the lives of crows throughout history and at the significant ways crows have altered human lives. John Marzluff and Tony Angell examine the often surprising ways that crows and humans interact. Yet this influence is not unidirectional, say the authors of this fascinating book: people profoundly influence crow culture, ecology, and evolution as well. To a surprising extent, to know the crow is to know ourselves.”-from the Prefaceįrom the cave walls at Lascaux to the last painting by Van Gogh, from the works of Shakespeare to those of Mark Twain, there is clear evidence that crows and ravens influence human culture. “Crows and people share similar traits and social strategies.
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